we explore worlding & asset formation processes in a time of climate collapse, compounding injustice and web 3.0 terraforming

Come and participate in a hands-on workshop with astrologer Alice Sparkly Kat. We will look at different cosmological systems, calendars, and theories of change before doing a group exercise on making a story. Angela Davis reminds us that it is our duty to imagine that a different future is possible. Astrology is a storytelling tool and storytelling is about survival. Astrology uses storytelling and tries to make prophecy. This workshop is for anyone who yearns to be open to participating in an experimental exercise on creating collective possibility. Anyone who feels resistance or defense against storytelling is also welcome here.

Underlying the pension system is the normative claim that it provides economic security so that one will be cared for in old age, yet the system is failing the elderly of today and its sustainability is questionable. For the provision of care itself, the UK and many Western European countries have been relying on migrant workers, which in some cases have become a black market. In this conversation with our resident artist Vienne Chan and Kinga Milankovics, we will consider the pension system, the remittance economy and social organization.

Wages on Sand is set in Amsterdam’s Museum van Loon, a 17th century canal house located on the Keizersgracht in Amsterdam’s Canal District, just a few blocks away from the so-called Golden Bend. The film opens this house up to particular aspects of the Van Loon family’s financial endeavors which have been excluded from the house for centuries.

A conversation between curator Bassam El Baroni and the artist duo Vermeir & Heiremans around their expansive practice that investigates the dynamics between economy, law, and governing, deploying the arts and the socio-economic conditions of artists as their preferred case studies. The conversation follows the screening of A Modest Proposal (in a Black Box) (2018), in which Vermeir & Heiremans, who are also the film's protagonists, discuss a new financial model with a lawyer. Their dialogue, witnessed by the lawyers assistant, focuses on the question if financialisation can be re-purposed towards generating a more equitable arts ecology.

"Alles hat Grenzen, NUR DER MONDFISCH NICHT" is an environmental film musical, in which nature acts and speaks in a diversity of voices. Surfacing evocatively from micro- and macrocosmic layers, she resonates with water as the source of life and resounds as exploited resource. She echoes from the trenches of an inverted world and speaks out as a human being. Reverberating through ecological-cultural depths, images, sounds and associations push to light, giving shape to a vision of humanity being in tune with nature.

White Cube is a powerful and provocative dissection of art, class and decolonisation. The film follows the Cercle d’Art des Travailleurs de Plantation Congolaise (CATPC), a plantation workers’ cooperative based on a former Unilever plantation in the Congolese town of Lusanga, as they attempt to end the destructive system of monoculture on their lands – by building upon it a gallery, the ‘white cube’ of the title.